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  1. AP Music Theory
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Triads and Seventh Chords

Question 1
college-boardMusic TheoryAPExam Style
1 mark

In D Minor, what roman numeral indicates raised Seventh leading tone building half step below Tonoic?

Question 2
college-boardMusic TheoryAPExam Style
1 mark

When harmonizing 'Twinkle Twinkle Little Star' starting with tonic triad in C Major, what diatonically correct roman numeral should follow initial I to create strong melodic cadence at end?

Question 3
college-boardMusic TheoryAPExam Style
1 mark

Which diatonic chord quality does iii represent in E minor?

Question 4
college-boardMusic TheoryAPExam Style
1 mark

In a minor key, which diatonic chord is most commonly altered to create a leading-tone when harmonizing the penultimate note of a melody?

Question 5
college-boardMusic TheoryAPExam Style
1 mark

When modulating from C major to G major within a piece of music, which secondary dominant would typically precede the introduction of D major, the V/V in G major?

Question 6
college-boardMusic TheoryAPExam Style
1 mark

What function does the ii chord serve in a major key progression?

Question 7
college-boardMusic TheoryAPExam Style
1 mark

Which Roman numeral represents the dominant chord in a minor key?

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Question 8
college-boardMusic TheoryAPExam Style
1 mark

In a melody composed in the key of C major, which chord would best harmonize a non-chord tone of A that resolves down to G?

Question 9
college-boardMusic TheoryAPExam Style
1 mark

In C Major, what is the quality of chord built on supertonic noted by roman numeral ii?

Question 10
college-boardMusic TheoryAPExam Style
1 mark

In a minor key, which diatonic chord typically substitutes for V to create a less resolved cadence?